「正常與非常」揭示著身體與環境的格不相入；因此我們動身、觸及他人，持續經驗「移動與棲居」；「酷異與結盟」則作為信仰與解方，共生、共情、共社。
"Typical and Atypical" reveals the dissonance between our bodies and the world around us; thus, we move, reach out to others, and continue to experience "Mobility and Dwelling." In this way, "Queerness and Coalition" becomes both belief and response—a call for coexistence, empathy, and assemblage.
由「正常與非常」理解世界 Understanding the world through “Typical and Atypical”
怪人地下合作社
The Underground Misfits Co-op
2025｜現地製作裝置，尺寸因場地而定 site-specific installation, dimension variable
王冠鈞 Champion
集結怪人們的合作社 (UMC)，未受空間限制而聚集，三餘書店的地下室為臨時據點。其中呈現「數種理解世界的方法」，也邀請來訪者隨時加入。UMC的多層作用如下：
①小誌宇宙：收納15位怪人的日常覺察，另類的行動紀實
②城市據點：創造交流與怪人棲居的空間，集結多元語境
③交杯換盞：展覽期間UMC將以一杯手沖茶或咖啡，交換來訪者關於自己的生命故事
④自由書寫：邀請來訪者舒展身心，書寫當下的心境，共同編織理解世界的方法
⑤事件體驗：舉辦社群參與事件（工作坊、分享會等），以不同身體經驗的形式，描繪自我與身處環境的關係
The Underground Misfits Co-op (UMC) is a group of Misfits not limited by physical space, with the basement of Takobooks serving as a temporary gathering point. The exhibition showcases "Various Ways of Understanding the World" and invites visitors to join at any time. UMC serves multiple functions, including:
①Zine Universe: Documenting the offbeat actions of 15 Misfits, weaving together multiple contexts.
②City Node: Creating a space for exchange and a haven for Misfits (visitors&creators).
③Sharing Drinks and Stories: During the exhibition, UMC will offer a cup of Pour-Over coffee or tea in exchange for visitors' personal life stories.
④Free Writing: Visitors are invited to relax, express their thoughts, and collaboratively weave ways of understanding the world.
⑤Community Events: Exploring the relationship between self and environment through various bodily experiences, including workshops, sharing sessions, and talks.
可見與不可見
The Visible and the Invisible
2025｜展覽主視覺設計（數位印刷），尺寸因場地而定 exhibition visual design (digital printing), dimension variable
王冠鈞 Champion
本展主視覺設計概念，以「可見與不可見」（the Visible and the Invisible）為題，關注人體視覺的可見差異，並長時間投身於「觀看」的過程中，逐步揭開非視覺的不可見影響，並將這些日常覺察收納於「怪人地下合作社」。而所謂「怪人」並非「奇怪的人」，是感知「自我與環境間格不相入」的不安、迷惘、紊亂之怪異狀態。本展邀請來訪者相互分享與交談，由切身經歷「眼中的可見世界」（the visible world）展開討論，共同探尋那些仍不可見的淺在身體感知，熟悉自我「理解世界的方法」以直視生活中各種異感。
This exhibition's main visual theme, The Visible and the Invisible, centers on the differences in human visual perception. It focuses on the act of "seeing" over time, gradually revealing how invisible, non-visual forces shape our daily lives. These subtle observations are collected and presented by The Underground Misfits Co-op (UMC).
Here, a "misfit" is not simply someone strange, but someone who experiences a dissonance—a sense of unease, confusion, or disconnection between the self and the environment. Through shared conversations and experiences, we invite visitors to reflect on "The Visible World" through their own eyes, and together explore the invisible energies of the body that influence us. By becoming familiar with your own "way of understanding the world," we hope to create space to confront life's strangeness.
The Visible City: Seoul&Busan
2025｜電子地圖 Online Map
王冠鈞、姚潔希 Champion, Jiesi
身為非常態的三色視者（atypical trichromat）、色覺辨認異常者（color vision deficiency），我們試圖從視野可見的景象中，層層剝離出身體所帶來的原初經驗，「移動、截取、歸納（move, capture, organize）」循環作用以建構個體生活的動態過程，反覆應證、解讀眼前的真實。
近年陸續在多個國家城市間短暫駐點、遊歷及旅居，今年三月我們相約於轉機的中繼站「韓國」。而此次展覽則呈現我們在首爾及釜山的移動碎片，捕捉了日常生活中的斑駁陸離，共同紀錄著當地景象，如醃漬的小菜文化、悄然而遇的角落、高緯度的光影色調、空氣濕度的轉變等。其中那些我們所相同在意的畫面，也流露著可以討論事物其邊緣、不定、非常態的可能性。
As atypical trichromats and individuals with color vision deficiency, we seek to perceive the primary experience that our bodies provide through the visible world before us. Using the cycle of "move, capture, organize," we construct the dynamic flow of daily life while constantly checking and understanding what is real.
In recent years, we have temporarily resided, traveled, and sojourned across multiple cities. This March, we arranged to meet at a layover stop—South Korea. This exhibition presents fragments of our movement through Seoul and Busan, capturing moments of daily life. Together, we document the local scenes—ranging from the culture of pickled side dishes and hidden corners to the high-latitude light tones and changes in air humidity. The images we focus on reveal our shared sensitivity and explore the marginal, unstable, and atypical sides of things.
未成年怪物
Minor Beast
2024｜小誌，尺寸因場地而異 zine, dimension variable
匿名者 Anonymous
「好像有什麼感覺變了，可能我還太天真、太懦弱......」
「可是我真的無從得知，這些認同是出自於我的本性嗎？還是因為他？」
「可是我真的無從得知，這些認同是出自於我的本性嗎？還是因為他？」
於本展中簽署創作保密協議的匿名者，以一本小誌「埋藏在沙中的訊息（Secrets Beneath the Sand）——未成年怪物」為題參與展出，描述著十幾年前未被揭開的故事。他試圖以反身性或反思性（reflexivity）方法，挖掘自我深處難以告人的生命經驗，如同那些埋藏在砂礫裡的訊息，渴望被發覺，但也始終感到惶恐不安。
（未滿12歲不宜觀賞；12歲以上未滿15歲建議父母、師長或成年親友陪伴觀賞）
"Something feels different.Maybe I was too naive, too timid..."
"But I truly don’t know—do these feelings of identity come from my nature, or are they shaped by him?"
"I can accept your apology,but I once hurt—so deeply."
"But I truly don’t know—do these feelings of identity come from my nature, or are they shaped by him?"
"I can accept your apology,but I once hurt—so deeply."
In this exhibition, the anonymous creator, who signed a creative confidentiality agreement, presents a zine titled "Secrets Beneath the Sand — Minor Beast". It tells an untold story from over a decade ago, exploring a part of his life that has long remained hidden. The work reflects on deeply personal experiences that are difficult to share, using a reflexive approach. These memories, like messages buried in sand and gravel, long to be discovered—yet remain shadowed by fear and unease.
(Not suitable for viewers under 12. Parental guidance is recommended for ages 12 to 15.)
