發起人 Caller(Curating)
王冠鈞 Champion Wang
創作群 Kindred Spirits(Collaborators)
王翊如、林育嫻、匿名者、黃書亞、姚潔希、社會化不完全（王冠鈞、李怡萱、張育寧、陳畇湘、楊翊、楊子怡、潘洛均）、命之星（王冠鈞、邱柔瑄、陳小圓、傅有薇、蕭宇汶）（依姓氏筆畫排列）
RU Wang, Miya Lin, Anonymous, Joshua Huang, Jiesi Yao, Unsocia1(Champion, Sandy Li, Yu-Ning Chang, Yun, Yi, Parker Yang, Lochun), MeanToStar(Champion, Sutor Chiu, Circle Chen, Foy, Yogafish Xiao)(in the surnames strokes order)
校稿人 Proofreader
林庭楨（英文）Tina Lin(english)
感謝指導 With gratitude to our advisors
蔡佩桂、高俊宏、黃瀞瑩老師們
Pei-Kuei Tsai, Jun-Honn Kao, Ching-Ying Huang
發起人 Caller
王冠鈞 Champion
現為獨立策展、創作者、視覺設計，並期許持續投入具社會參與性質的創作事件。多數作品藉由邀請不同專業領域的夥伴加入，探尋面向各式議題中，跨領域連結的創造力與可能性。於2018年開啟計畫型創作《聯覺共振計畫》，系列作品如《你從天空奪走我的藍》（I’m Deprived of the Blue）、《浪》（The Waves）、《百態》（Life in the Folds）等。
曾任臺南生活美學館藝術轉動社區《澎湖望安島藝術進駐計畫》研究員、國藝會常態補助舞蹈類展演《百態》（The Frames）策展執行、國藝會視覺藝術策展專案《關係人》視覺設計、高雄市立圖書館總館《世界閱讀日》視覺設計、臺東縣政府南迴藝術計畫《南方以南》設計助理、教育部人文及社會科學知識跨界應用能力培育計畫《'Avuwan 灶咖》及《洞動藝術節》執行助理、臺灣教育大學系統《第七屆青年領袖研習》執行顧問等。參與展演如臺北當代藝術館特展《關係人：賽爾弗遊樂園》（策展人：蔡佩桂）、城市劇場《什麼叫味道？食物與遷徙的故事》（導演/藝術家：吳瑪悧）、在路上概念聯展《走路( )看路》、臺南材質藝術祭《內在共振》等。
An independent curator, creator, and visual designer, the work continues to focus on creative projects with a strong social participatory element. Most of the works involve inviting professionals from various fields to join, exploring the creativity and possibilities of transdisciplinary connections in relation to different issues. Since 2018, The Synesthesia Project has been launched, with works such as I’m Deprived of the Blue, The Waves, and Life in the Folds.
Previously served as a researcher for the Artist-in-Residence Wang-an project under Art for Social Change at the National Tainan Living Art Center; an Exhibition Executive for the Performing Arts project The Frames, supported by the National Culture and Arts Foundation (NCAF); and a Visual Designer for the Production Grants to Independent Curators in Visual Arts project Interested Persons, also under NCAF. Other roles include Visual Designer for World Book Day at the Kaohsiung Main Public Library, Design Assistant for The Hidden South under the Taitung County Government’s South Link Arts Project, and Executive Assistant for the Ministry of Education's HFCC projects 'Avuwan and The Mole-tion Art Festival. Additionally, served as an Executive Consultant for the 7th Youth Leadership Workshop organized by the Taiwan University of Education.Participated in exhibitions and performances such as the MoCA Taipei special exhibition Interested Persons: Self Wonderland (curator: Pei-Kuei Tsai); What Is Taste? Stories of Food and Migration (director/artist: Mali Wu) at City Theater in Cijin; the conceptual group exhibition Hiiiiit The Road at Takobooks; and the Tainan Material Art Festival exhibition Inner Resonance.
創作群 Collaborators
《纖維行走檔案》(Fiber Walking Archive)
王翊如 RU
專研各類纖維創作，近年作品多以軟雕塑詮釋人、物與環境間，細微且深層之情感，也試圖勾勒其中物件的敘事性（Object Narratives）、材質的情感記憶、環境永續與生態共存等關係。
曾參與2022年國際紙纖維藝術雙年展《蛻》（Biennial International Paper Fibre Art: Transfiguration）、2021及2022年臺南材質藝術祭《驚蟄始，微雨卉新》（Awakening of Insects）及《內在共振》（Inner Resonance）、2023年Makotaay Eco Art Village生態藝術村之駐村藝術家、《堆積如山》（Piled High）創作個展、臺灣藺草創作獎暨Rush!設計工作營（Taiwan Rush Craft Award）、聯覺共振計畫（The Synesthesia Project）之展演《浪The Waves》及《百態 The Fold of Life》（協同創作者：王冠鈞）；獲獎如臺中市第四屆纖維創作獎（The Fourth Taichung Fibre Creation Award）美術工藝類（Art Craft）二獎、2023年臺灣美術新貌獎（Taiwan Emerging Art Awards）入選等。
Specializing in various forms of fiber art, RU's recent works primarily use soft sculpture to explore the subtle and profound emotions between people, objects, and the environment. She also attempts to outline the object narratives, emotional memories of materials, and the relationships between environmental sustainability and ecological coexistence.
She has participated in the 2022 Biennial International Paper Fibre Art: Transfiguration, the 2021 and 2022 Tainan Material Arts Festival (Awakening of Insects and Inner Resonance), and was a 2023 artist-in-residence at Makotaay Eco Art Village. Her solo exhibition Piled High, participation in the Taiwan Rush Craft Award and Rush! Design Workshop, and involvement in The Synesthesia Project with performances such as The Waves and The Fold of Life (collaborator: Champion Wang) reflect her diverse engagements. Her accolades include Second Prize in the Art Craft category of the 4th Taichung Fibre Creation Award and selection for the 2023 Taiwan Emerging Art Awards.
《在樹葉落下時》(Falling)｜小誌 Zine《時葉》(Time and Leaves)
林育嫻 Miya Lin
臺灣林業及自然保育署（Forestry and Nature Conservation Agency, MOA）認證第45位森林療癒師，以肢體律動、藝術創作、靜心冥想為單元設計方向，進行森林療癒活動對創造力影響之研究，同時經營個人森療品牌「漫漫森林（Wander Forest）」。
受華德福教育及童軍教育薰陶，4歲起便於雲門舞集舞蹈教室習舞，高中階段為非學校型態實驗教育，後以特殊選才畢業於國立東華大學不分系學位學程及族群關係與文化學系；曾任《臺灣繪本協會》第26期師資培訓生、《TriYoga三瑜伽》國際基礎師資、《無隅藝術空間》國際藝術家助理、《桃園藝文陣線》藝文推廣員、《小恬田十三間手作農坊》賽夏族傳統植物調查員、《村夢遊牧》自然建築搭設協力、《洄瀾共享免廢市集》創辦人、《東華學聲》記者、《友善南庄工作室》農事協力等。2024年參與芬蘭 Hämeenkyrö Arteles 藝術駐村計畫《Fall into Focus》；國內參與展演如臺北當代藝術館特展《關係人：賽爾弗遊樂園》（策展人：蔡佩桂）及《給女兒的一封信》（協同藝術家：高俊宏）、金山所在2023新秀藝術創作展《接近/街境/接境》、豆豆先生咖啡《插畫個展》等。
Certified as the 45th Forest Therapy Guide by the Forestry and Nature Conservation Agency, MOA in Taiwan, Miya Lin develops forest healing programs focused on body movement, creative arts, and mindfulness meditation, exploring their impact on creativity. She also runs her personal forest therapy brand, Wander Forest.
Shaped by Waldorf and Scout education, Miya Lin began dancing at Cloud Gate Dance School at the age of four. During high school, she pursued non-school-based experimental education, and was later admitted through special talent selection to the Interdisciplinary Program and the Department of Ethnic Relations and Cultures at National Dong Hwa University. Her previous experiences include serving as a trainee in the 26th teacher training cohort of the Taiwan Picture Book Association, a certified foundational instructor of TriYoga, an international artist assistant at Infinity Art Company, a cultural promoter at Taoyuan Cultural Alliance, a traditional plant researcher (Saisiyat) at Xiao Tian Tian Handmade Farm, a natural building collaborator at Echo Cradle, founder of Hue Lian Free Market, a journalist for NDHU Voices, and a farmwork collaborator at Friendly Nan Zhuang Studio.
In 2024, she participated in the Fall into Focus artist residency program at Arteles in Hämeenkyrö, Finland. Her local exhibition and performance involvements include Interested Persons: Self Wonderland (curator: Pei-Kuei Tsai) and A Letter to My Daughter (co-artist: Jun-Honn Kao) at the Museum of Contemporary Art Taipei, Approaching / Street-scape / Bordering at Glow Collective’s Emerging Artists Exhibition 2023, and a solo illustration exhibition at Mr. DODO Coffee Roaster.
小誌 Zine《未成年怪物》(Minor Beast)
匿名者 Anonymous
於本展中簽署創作保密協議的匿名者，以一本小誌「埋藏在沙中的訊息——未成年怪物」為題，參與展出。他試圖以反身性或反思性（reflexivity）方法，挖掘自我深處難以告人的生命經驗，如同那些埋藏在砂礫裡的訊息，渴望被發覺，但也始終感到惶恐不安。
In this exhibition, the Anonymous creator, who signed a creative confidentiality agreement, participates with a zine titled "Secrets Beneath the Sand — Minor Beast". The work explores personal life experiences that are hard to share, using a reflexive approach. These experiences, like messages buried in the sand, want to be discovered but are also filled with fear and uncertainty.
《-》
匿名寫手 Anonymous Writer
於本展中簽署創作保密協議的匿名者。實踐一個難以忽視的「書寫」，將看不見的運行，顯現在城市的物件上。使一個靜止、穩定、扁平的地方，逐漸與環境交織、立體，且成為流動關係的節點，企圖延展變電箱本體的功能性，構築日常生活中第三空間（thirdspace, Edward Soja 1996）的共同意識。
In this exhibition, the Anonymous Writer, who signed a creative confidentiality agreement, presents an invisible act of writing—made visible on the surfaces of urban objects. Through this act, the invisible operations of the city take form, turning a static, stable, and flat location into one that gradually intertwines with its environment, becoming a node of fluid relationships. The work seeks to extend the original function of the transformer box and to construct a shared consciousness of thirdspace (Edward Soja, 1996) within the everyday, blending the subtle relations among people, surroundings, and time.
《變 metamorphosis 態》｜小誌 Zine《變 metamorphosis 態》
黃書亞 Joshua Huang
一個在高雄和臺北之間移動的平面設計師。創作形式涵蓋品牌、展覽與書籍裝幀，擅長在混亂中尋找秩序，將創意轉化成充滿實驗性的視覺。曾執行音樂、劇場、長照等不同領域專案，並以AGE Creative長期合作擔任平面設計師，近年視覺類作品如臺灣滾石唱片旗下音樂創作團體U:NUS、國藝會常態補助舞蹈類展演《百態》（The Frames）、亞望沙龍長期照顧中心等；作品《THX》於2021年入圍德國紅點設計概念獎、《變 Metamorphosis 態》參展2024年《草率季》臺北藝術書展。
長期以視覺設計為方法，關注自我建構（self-construction）、結盟（coalition）、賽博格宣言（A Cyborg Manifesto）、二元對立（binary opposition）等議題。畢業於實踐大學媒體傳達設計研究所，碩士論文《變態：視覺創作與自我建構的交織》（Metamorphosis: The Interweaving of Visual Creation and Self-Construction）研究當代文化中的符號與圖像研究，解析個體身份認同敘事轉化為創作實驗，同時在臺北舉辦個展《變 Metamorphosis 態》，並將展出內容編輯成冊、獨立出版，於首爾獨立書店B-Platform販售。
Joshua Huang is a graphic designer working between Kaohsiung and Taipei. His work spans branding, exhibitions, and book design, finding rhythm in chaotic symbols and transforming creativity into expressive visuals with an experimental and spontaneous style. He has worked across a range of fields including music, theater, and health care, and is a long-time collaborator with AGE Creative.His recent visual works include projects for U:NUS, a music group under Rock Records Co., Ltd.; The Frames, a dance performance supported by the National Culture and Arts Foundation (NCAF); and Vision Shalom Long-Term Care Center. His project THX was shortlisted for the Red Dot Award: Brands & Communication Design in 2021, and Metamorphosis was featured in the 2024 Taipei Art Book Fair.
Through visual design, Joshua explores themes of self-construction, coalition, A Cyborg Manifesto, and binary opposition. He holds a master’s degree from the Department of Communications Design at Shih Chien University. His thesis, Metamorphosis: The Interweaving of Visual Creation and Self-Construction, investigates symbols and imagery in contemporary culture, analyzing how narratives of identity can be transformed into creative experimentation. The thesis work later became the solo exhibition Metamorphosis in Taipei and was independently published as a book, now available at B-Platform, an independent bookstore in Seoul.
《Run Girls》｜《The Visible City: Seoul&Busan》
姚潔希 Jiesi Yao
現居倫敦的自由時尚藝術指導與攝影師，擁有行銷廣告背景，擅長洞察市場需求，同時發展具前瞻性的視覺整合策略。目前專注於為品牌與獨立藝人打造獨特的視覺語言，以敏銳的美學觀點，形塑品牌個性與情感連結。
影像作品善於藉由鏡頭捕捉日常中的斑駁陸離，畫面空靈且富有詩意，宛如夢境般的氛圍感，使其在視覺上充滿辨識度。曾與倫敦品牌 naya rea、r.l.e、A Room London 等合作，提供全方位的視覺企劃。
A freelance fashion art director and photographer currently based in London, with a background in marketing and advertising. Known for a sharp eye for market trends and the ability to craft forward-thinking visual strategies, she focuses on helping brands and independent artists build distinctive visual languages that express identity and forge emotional connections.
Her photography captures the fragmented beauty of everyday moments, marked by an ethereal, dreamlike quality that lends her work a poetic and instantly recognizable visual signature. Past collaborations include full-scope visual planning for London-based brands such as naya rea, r.l.e, and A Room London.
小誌 Zine《幼稚、白目、不務正業——我們是社會化不完全！》(Childish, shameless, and totally off the rails — that’s us, Unsocia1!)
社會化不完全（王冠鈞、李怡萱、張育寧、陳畇湘、楊翊、楊子怡、潘洛均）
Unsocia1(Champion, Sandy Li, Yu-Ning Chang, Yun, Yi, Parker Yang, Lochun)
蛤！
A：啊…那個…是要辦聯展嗎？
B：…但作品…………………
七個好友相聚，在大城市中找尋展覽替代空間（alternative space）。我們就讀國立高雄師範大學跨領域藝術研究所，在校外住在一起一個月，把臨時組建的「家」充當成聯展場地，「在家裡」就可任性且自由的駐地創作並共同生活著（arts residency?）；我們有時邀請朋友來家裡做客，有時給予彼此適當的空間自處，下廚、追劇、閒聊、打掃、過節，將生活視為享受創作的過程，看似胡搞瞎搞但也認真生活著。
我們是「社會化不完全」！（無法一時說明白的團體？）
在2024年12月至2025年1月辦了《社會化不完全——在家裡ㄉ聯展》！
Huh?!
A: Uh… so… are we doing a group exhibition?
B: …But the works… uh……
Seven friends, gathering in the big city, looking for an alternative space for an exhibition. We’re students at the Graduate Institute of Transdisciplinary Art at National Kaohsiung Normal University. For a month, we lived together off-campus and turned our temporary “home” into an exhibition space. Creating freely, living together—right at home. Sometimes we invited friends over, sometimes we gave each other space. Binge-watching, cooking, chatting, cleaning, celebrating—treating life itself as part of the creative process. It might seem chaotic, but we’re serious about living.
We are “Unsocia1”—a group that’s... kinda hard to explain.
From December 2024 to January 2025, we hosted “Unsocia1: Our At-Home Exhibition.”
小誌 Zine《羅春の夢／羅春の做夢練習》(Lochun の Dream/ Lochun の Dreaming Practice)
潘洛均 Lochun
清醒著做夢的少女 The girl who dreams while awake
迷惘的跨領域藝術研究生。Instagram上面有好多光鮮亮麗的人，好想跟他們一樣優秀，卻不知道自己可以成為什麼。
我喜歡收集各種漂亮的素材，然後再想盡辦法把他們變成（自己覺得）漂亮的東西。
A lost transdisciplinary art grad student. There are many admirable people on Instagram. I really want to be as perfect as they are.
I like to collect pretty materials, then turn them into beautiful things. I find it hard to define myself, so I try my best to create something I like.
小誌 Zine《小小的小事》(Tiny little things)
楊子怡 Parker Yang
沉浸在小世界的貓咪 The cat immersed in its little world
過去以平面手繪為主要創作模式，而後接觸動畫製作，現就讀高師大跨藝所，從純美術到多媒體創作後，再進入當代藝術與理論等更多元的環境，嘗試在修習過程中發掘更能體現個人色彩與作品內涵的表現方法與思維。在2024年底的「社會化不完全」聯展中首次以水溶布等布料媒材進行創作，將生活記憶與物件結合，也計劃在未來能繼續編織相關的創作。
I started with hand-drawn illustrations, later learned animation, and am now studying at the Graduate Institute of Transdisciplinary Art at NKNU. Transitioning from fine arts to multimedia and contemporary art, I seek ways to express my artistic vision and concepts. In the 2024 Incomplete Socialization exhibition, I first experimented with fabric materials, such as soluble fabric, integrating personal memories and objects. I wish to continue exploring weaving in future works.
小誌 Zine《家裡的小調皮》(The naughtiest in the house)
張育寧 Chang Yu-Ning
在家四處搗蛋的調皮鬼 The scamp spreading laughter at home
善於覺察人物和環境，時刻督促自己養成保持好奇、敏銳觀察週遭的習慣，並成為創作的基石。近年來決心更加細緻、坦承的面對自我的生命故事和情感，也試圖尋求以藝術創作來言說情感的可能。2024年6月發表論文提綱《藝術自療—以替身為途徑》，於創作中不斷練習以細膩的態度關懷自己和他者的身體、情感和生命故事。藝術創作媒材遊走在各式各樣的身體性表現之中，接觸過應用劇場、即興舞蹈、行為藝術，皆在環境中覺察五感，再用身體描繪紀錄。
Yu-Ning is adept at perceiving people and environments, constantly urging herself to maintain curiosity and keen observation of her surroundings, which has become the foundation of her creative practice. In recent years, she has decided to face her life story and emotions more openly, also seeking to express emotions through artistic creation. In June 2024, she will present a thesis outline titled Art as Self-Healing – Using the Double as a Pathway. In her creative work, she continuously practices caring for herself and others with a delicate attitude. Her artistic media focuses on bodily expression, having engaged with applied theater, improvisational dance, and performance art. She explores her five senses in the environment and uses her body to depict and document.
小誌 Zine《色覺》(Color Vision)
王冠鈞 Champion Wang
看不到真實色彩的變異人 The mutant who cannot see the true colors
看不透朦朧曖昧的色彩，看不清世界真實的樣貌，看不慣惝恍迷離的自己。
現為獨立策展、創作者、視覺設計，並持續投入具社會參與性質的創作事件。多數作品藉由邀請不同專業領域的夥伴加入，探尋面向各式議題中，跨領域連結的創造力與可能性。於2018年開啟計畫型創作《聯覺共振計畫》等系列作品。
Unable to pierce the haze of ambiguous hues, Unable to see the world in its true form, Unable to embrace the blurred, elusive self.
Currently an independent curator, creator, and visual designer, the work continues to focus on creative projects with a strong social participatory element. Most of the works involve inviting professionals from various fields to join, exploring the creativity and possibilities of transdisciplinary connections in relation to different issues. Started the project-based series Synesthetic Project in 2018 and has continued to develop related works since.
小誌 Zine《聲音日記》(Sound Diary)
陳畇湘 Yun
以聲音書寫日常的演奏者 The performer who writes the everyday in sound
嗨～大家好，我是畇湘。一名患有音樂家肌張力異常的單簧管演奏者，曾經的夢想是成為一位能夠悠遊於舞台的演奏家。我的生活不是在琴房，就是在練琴的路上。肌張力異常的發生，打亂了我十年如一日的一切。
然而，伴隨而來的失序、失重、失根，也開啟了某種旅程。如果說創作作為靠近自己的一種方法，或許能拼湊些什麼吧......
Hiiii, It’s Yun. A clarinet player with a rare symptom, called Musician’s Dystonia. I had a dream about becoming a professional musician before Dystonia happened. My life revolved around the practice room, I was either in it or on my way to it. Dystonia teared me and my life off.
However, the loss of order, gravity, and roots also marked the beginning of a new journey. If creation is a way to get closer to myself, perhaps I can piece something together through it…
小誌 Zine《桌面之間，秩序之外》(Between Desktops, Beyond Order)
李怡萱 Sandy Li
觀測旁人行跡差異的建模師 The modeler observing the differences in others' paths
目前就讀於高雄師範大學跨領域藝術研究所，專注於3D創作。大學時期主修多媒體動畫，並以動畫故事為創作核心。
進入研究所後，創作逐漸轉向「情感記憶」與「材質感知」的探索，透過3D建模重塑日常物件與場域，試圖捕捉那些難以被具象描述的記憶痕跡。也經營「dasu_3dtextures」——臺灣材質庫IG帳號，佛系心態收集台灣各地隨處可見的質感紋理，觀察人與環境之間的情感連結。
Currently pursuing a master’s degree at the Graduate Institute of Transdisciplinary Art at National Kaohsiung Normal University, focusing on 3D creation. During my undergraduate studies in Multimedia Animation, I primarily focused on storytelling through animation.
After entering graduate school, my work gradually shifted toward exploring “emotional memory” and “material perception.” Through 3D modeling, I aim to reconstruct everyday objects and spaces, capturing traces of memories that are difficult to visualize. I also run an Instagram account called “dasu_3dtextures”, known as the Taiwan Texture Archive, where I casually collect textures from around Taiwan to explore the emotional connection between people and their environments.
小誌 Zine《散山》(Stranger like me)
楊翊 Yi
流離於森林與城市間的浪客 The wanderer roaming between the forest and the city
現為高師大跨藝所研究生與森林生態研究調查人員雙重身分，調查區域為非常規登山路線的各大自然保留區，穿梭於南臺灣的中央山脈陷落區域進行調查，林蔭下累積對於關於森林的知識與記憶，在行走的同時累績沿途索閱嘗試文字書寫與影像創作，脫離了中央山脈核心區保護之外，也長期關注家鄉苗栗地區的沿海岸線公墓植物與環境變動的關係，也在其調查中更深刻 的對家鄉產生對土地的凝視。
Currently a graduate student at the Graduate Institute of Transdisciplinary Art at National Kaohsiung Normal University, as well as a forest ecology researcher. My fieldwork takes place in nature reserves along non-conventional mountaineering routes, traversing the subsidence zones of the Central Mountain Range in southern Taiwan. Beneath the forest canopy, I accumulate knowledge and memories of the woodland, engaging in reading, writing, and visual creation as I move through these landscapes. Beyond the protected core of the Central Mountain Range, I have also long been concerned with the relationship between vegetation and environmental changes in the coastal cemeteries of my hometown, Miaoli. Through my research, I have developed a deeper contemplation of the land and a profound connection to my homeland.
圖像誌 Graphzine《走路( )看路》(Hiiiiit The Road)
命之星（王冠鈞、邱柔瑄、陳小圓、傅有薇、蕭宇汶）
MeanToStar(Champion, Sutor Chiu, Circle Chen, Foy, Yogafish Xiao)
「M to the E to the A to the N」，Mean之星帶給你生活小驚喜✨！
成立於2022年的神秘團體，說是團體也不那麼團，各有各的生活和古怪，喜歡 ＃胡鬧當飯吃，常常覺得在 ＃練舞室打不夠，只好讓觀眾們跟著 ＃Mean之星出外景。偶爾 ＃年度回顧 一下、偶爾辦個 ＃聯展，只知道大家都在 ＃走路看路中 👣。
歡迎 Instagram 追蹤、按讚、開啟小鈴鐺—— @meantostar2022（或搜尋以上＃關鍵字）！
“M to the E to the A to the N” — MeanToStar bringing you little surprises in life ✨
Founded in 2022, we're a mysterious... well, "group"—though not really a group-group. We’ve each got our own quirks and lives, but we’re all about that #chaos-as-a-lifestyle. Always feelin’ like we didn’t dance enough in the #MeanToStar studio, so we take you on wild #MeanToWhere field trips instead.Sometimes we do a little #YearInReview, sometimes we throw a #GroupExhibition—honestly, we’re all just out here #HiiiiitTheRoad 👣.
Follow us on Instagram, hit that like, turn on the bell — @meantostar2022 (or search those #hashtags above)!
圖像誌 Graphzine《走路( )看路》(Hiiiiit The Road)
蕭宇汶 Yogafish Xiao
走路（別）看路 ⸺《進來看看吧》
Walking (Beyond) Watching the Road — "Come On In and Take a Look"
植樹節出生，但是植物殺手，只能做一些假花假草，來填補渴望種花草的心。被關心比關心別人的時刻多，最近在練習關心自己以外的人。（寫於2024年）
曾舉辦個展《我還不太會許願》（2023）及《叛逆延遲的少女不喜歡笑》（2022）；聯展《走路( )看路》（2024）、《now playing…鬧著玩／現正播放中》（2022）、《製圖學的限制》（2021）等。
Born on Arbor Day, yet ironically a plant killer—so she makes fake flowers and leaves to fill the longing to grow something real. More often cared for than caring, she’s currently learning how to look after people other than herself. (Written in 2024)
Solo exhibitions include Still Not Good at Wishing (2023) and The Rebellious, Delayed Girl Doesn’t Like to Smile (2022); group exhibitions include Hiiiiit The Road (2024), now playing… (2022), and The Limits of Cartography (2021).
圖像誌 Graphzine《走路( )看路》(Hiiiiit The Road)
傅有薇 Foy
走路（在）看路 ⸺《距離／時間＝風景》
Walking (Just) Watching the Road — "Distance/Time = Scenery"
新北人，有三年曬得特別黑。在暫時別想工作事擔任小夥伴；在命之星擔任經紀人，工作內容包含大部份想得到的事。最近在偷懶，希望能把生活過得立體一點 ( ‧ิω‧ิ)✧
曾舉辦個展《好像可以再待一下》（2023）、聯展《走路( )看路》（2024）；執行計畫《旗津生活節：海嗨過日子》（2022-2023）、《暫時別想工作事成果展：開張の日子》（2023）等。
From New Taipei, noticeably darker-skinned from three years under the sun. A team member at Time.To.Break.Here and manager at MeanToStar, where her work spans nearly everything you can imagine. Currently in a lazy phase, hoping to live a more three-dimensional life. ( ‧ิω‧ิ)✧
Solo exhibition: Maybe I Can Stay a Little Longer (2023); group exhibitions include Hiiiiit The Road (2024). Project involvement includes Cijin Life Festival: Sea Hi Days (2022–2023) and Time.To.Break.Here Showcase: The Days We Opened Shop (2023).
圖像誌 Graphzine《走路( )看路》(Hiiiiit The Road)
邱柔瑄 Sutor Chiu
走路（都）看路 ⸺《你不是沒用，你只是沒用》
Walking (Always) Watching the Road — "You're Not Useless, You're Just Not in Use"
在南部的夏天出生，討厭夏天，但看膚色就知道不怕曬。喜歡吃辣、喜歡吃咖哩飯，不喜歡一整天坐辦公室的工作，但現在正在承受這個不喜歡。房間裡有好多感覺沒再使用的東西，唯一的用處就是可能陪伴我走過此生。
曾舉辦個展《你有沒有看過這台紅色縫紉機》（2023）、聯展《製圖學的限制》（2021）及《走路( )看路》（2024）；執行計畫《旗津生活節：海嗨過日子》（2022-2023）、《暫時別想工作事成果展：開張の日子》（2023）等。
Born in the heat of southern Taiwan, hating summer yet appearing unbothered by the sun, judging by her skin tone. Sutor Loves spicy food and curry rice, dislikes office jobs that require sitting all day—yet currently putting up with exactly that. Her room is full of “no longer in use” things, which might serve only to accompany her through this life.
Solo exhibition: Have You Seen This Red Sewing Machine? (2023); group exhibitions include The Limits of Cartography (2021) and Hiiiiit The Road (2024). Project involvement includes Cijin Life Festival: Sea Hi Days (2022–2023) and Time.To.Break.Here Showcase: The Days We Opened Shop (2023).
圖像誌 Graphzine《走路( )看路》(Hiiiiit The Road)
陳小圓 Circle Chen
走路（毋）看路 ⸺《30天的茅塞頓開》
Walking (Without) Watching the Road — "30 Days of Sudden Realization"
高雄人，土生土長的高雄人，在這塊土地已經生活26年了，好像有點膩？每天覺得時間不夠用，最近很想畢業，希望在寫論文的路上可以充滿動力（已在2024年成功畢業）！對人、物、地的關係特別執著，試圖去理解一些什麼の人類。
曾舉辦個展《窩來窩去ㄑㄧㄥˇ伯公》及《伯公·引路人》（2023）、聯展《走路( )看路》（2024）；執行計畫《小地藝術日：我與這個世界，多近？》（2020）、《拒絕也是一種相處方式》（2021）等。
Born and raised in Kaohsiung, has spent all 26 years of her life there—maybe getting a little tired of it? Constantly short on time, recently desperate to graduate (and finally did in 2024!). Deeply invested in the relationships between people, places, and things, always trying to understand something about being human.
Solo exhibitions: Wandering with the Lord of Land (Tudigong) and Lord of Land (Tudigong) - The One Who Leads the Way (2023); group exhibition: Hiiiiit The Road (2024). Project work includes Art Field Day: How Close Am I to the World? (2020) and Refusal Is Also a Way of Being Together (2021).
圖像誌 Graphzine《走路( )看路》(Hiiiiit The Road)
王冠鈞 Champion Wang
走路（即）看路 ⸺《浪》
Walking (While) Watching the Road — "The Waves"
臺中海線人，辨色力異常者。
看不透朦朧曖昧的色彩，看不清世界真實的樣貌，看不慣惝恍迷離的自己。
於2018年開啟計畫型創作《聯覺共振計畫》，系列作品如《你從天空奪走我的藍》、《浪》、《百態》等。參與聯展《走路( )看路》（2024）、城市劇場《什麼叫味道？食物與遷徙的故事》（2023）、臺南材質藝術祭《內在共振》（2022）等。
From Taichung’s coast, living with color vision deficiency. Unable to pierce the haze of ambiguous hues, Unable to see the world in its true form, Unable to embrace the blurred, elusive self. Currently an independent curator, creator, and visual designer, the work continues to focus on creative projects with a strong social participatory element. Most of the works involve inviting professionals from various fields to join, exploring the creativity and possibilities of transdisciplinary connections in relation to different issues.
Since 2018, The Synesthesia Project has been launched, with works such as I’m Deprived of the Blue, The Waves, and Life in the Folds. Participated in the group exhibition Hiiiiit The Road (2024), the city theater project What Is Flavor? Stories of Food and Migration (2023), and the Tainan Material Art Festival Inner Resonance (2022), among others.
